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Sur ce mural de huit m\u00e8tres de haut et de style\nromantique, on peut appr\u00e9cier deux figures : le portrait d\u2019une femme,\nrepr\u00e9sentant \u00e0 Antonia Guerrero, qui regarde ver le ciel avec ses cheveux\nattach\u00e9s et la figure d\u2019un oiseau, un Chardonneret, qui bat ses ailes. La\nprotagoniste est repr\u00e9sent\u00e9e dans sa jeunesse, exprimant ainsi des traits de sa\npersonnalit\u00e9 comme le d\u00e9sir de libert\u00e9, aspect qui est aussi repr\u00e9sent\u00e9 par\nl\u2019oiseau.<\/p>\n\n\n\n
\u00a0L\u2019auteur utilise \u00e0 tout moment une grande gamme de couleurs vives qui nous transmettent cet empressement de d\u00e9passement, la vitalit\u00e9 et l\u2019espoir de vivre libre du protagoniste, qui s’est battue pour l’\u00e9galit\u00e9 et le droit a l\u2019\u00e9ducation des femmes tout au long de sa vie. Sa g\u00e9n\u00e9rosit\u00e9 l\u2019a emmen\u00e9 \u00e0 laisser son h\u00e9ritage \u00e0 toutes les femmes qui veulent \u00e9tudier, mais ne peuvent pas \u00e0 cause de ces circonstances d\u00e9favorables. De cette mani\u00e8re, elle aide \u00e0 faire r\u00e9aliser les r\u00eaves d\u2019autres femmes, un r\u00eave qu\u2019elle ne put jamais toucher en vie, faute de l\u2019injustice sociale de son \u00e9poque. Personnellement j\u2019aime beaucoup ce mural, mais c\u2019est l\u2019aspect \u00e9motionnel, presque spirituel et l\u2019histoire derri\u00e8re l\u2019image qui me touche le plus. L\u2019histoire d\u2019une vie et d\u2019un r\u00eave qui n\u2019est jamais devenu r\u00e9el. Le d\u00e9sir attrap\u00e9 qui n\u2019a jamais vu la lumi\u00e8re et une femme avec les ailes coup\u00e9s qui a laiss\u00e9 tout ce qui lui appartenait pour que d\u2019autres femmes puissent s\u2019envoler. <\/p>\n\n\n\n 35 – ANTONIA GUERRERO, SUE\u00d1O DE LIBERTAD de Francisco Alarc\u00f3n P\u00e9rez. C\/Valencia. R\u00caVES DE LIBERT\u00c9 (RAQUEL CHARPENTIER) Sur ce mural de huit m\u00e8tres de haut et de style romantique, on …<\/p>\n","protected":false},"author":2,"featured_media":2209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[46,43,27,21,24,30,26,28,25,52,44,23,42,32,51,48,49,47,45,50],"class_list":["post-2286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-murales","tag-andalucia","tag-culture","tag-english","tag-eoi","tag-estepona","tag-francais","tag-frances","tag-french","tag-ingles","tag-malaga","tag-mur","tag-murales","tag-paintings","tag-peintures","tag-pinturas","tag-street","tag-visit","tag-visita","tag-visiter","tag-wall"],"_links":{"self":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts\/2286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/comments?post=2286"}],"version-history":[{"count":5,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts\/2286\/revisions"}],"predecessor-version":[{"id":3428,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts\/2286\/revisions\/3428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/media\/2209"}],"wp:attachment":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/media?parent=2286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/categories?post=2286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/tags?post=2286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/www.eoiestepona.org\/web\/wp-content\/uploads\/2021\/04\/20210430_112720.jpg\")
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