Amalia Garc\u00eda Romero C1.2<\/strong><\/p>\n\n\n\n Inaugur\u00e9e en 2016, \u00e0 l’occasion du quatri\u00e8me centenaire de la mort de Don Miguel de Cervantes (1547-1616), cette grande peinture murale a \u00e9t\u00e9 r\u00e9alis\u00e9e par Curro Leyton. Cet artiste, n\u00e9 \u00e0 Malaga en 1975,a vu sa popularit\u00e9 augmenter, tant au niveau national qu\u2019international, gr\u00e2ce \u00e0 l\u2019ensemble de ses \u0153uvres.<\/p>\n\n\n\n Avec ses 264 m\u00e8tres carr\u00e9s et 16 m\u00e8tres de haut, cette fresque, \u00ab install\u00e9e \u00bb sur une des fa\u00e7ades de l’institut Puerta del Mar, est consid\u00e9r\u00e9e comme la plus grande repr\u00e9sentation graphique de l’immortel personnage.<\/p>\n\n\n\n On peut supposer que Leyton s\u2019est s’inspir\u00e9 de la description donn\u00e9e par Cervantes (\u201cil \u00e9tait de complexion robuste, maigre de corps, sec de visage\u201d), ainsi que de sa merveilleuse histoire (l’artiste a inclus les moulins \u00e0 vent, l’un des \u00e9pisodes qui v\u00e9hicule le mieux l\u2019image \u00e9mouvante du personnage, puisqu’il se bat de bonne foi contre des ennemis imaginaires ; et qui est m\u00eame \u00e0 l\u2019origine d\u2019une expression: \u00abse battre contre des moulins \u00e0 vent\u00bb). Mais, au-del\u00e0 de ce point de d\u00e9part \u00e9vident, le peintre parvient \u00e0 nous offrir une image actuelle et dynamique de ce personnage g\u00e9n\u00e9reux et id\u00e9aliste, passionn\u00e9 par la chevalerie, qui suscite notre respect et notre admiration la plus sinc\u00e8re et la plus spontan\u00e9e ; et qui, par sa ferme r\u00e9solution de lutter contre le mal et de d\u00e9fendre les opprim\u00e9s, nous renvoie \u00e0 une r\u00e9alit\u00e9 douloureusement actuelle et n\u00e9cessaire.<\/p>\n\n\n\n <\/p>\n\n\n\n 1 \u2013 QUIJOTE DEL S.XXI de Curro Leyton. C\/Eslovaquia (IES Puerta del Mar). Don Quijote en el siglo XXI (Don Quichotte au XXI si\u00e8cle) Amalia Garc\u00eda Romero C1.2 Inaugur\u00e9e en …<\/p>\n","protected":false},"author":2,"featured_media":2209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[46,43,27,21,24,30,26,28,25,52,44,23,42,32,51,48,49,47,45],"class_list":["post-3055","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-murales","tag-andalucia","tag-culture","tag-english","tag-eoi","tag-estepona","tag-francais","tag-frances","tag-french","tag-ingles","tag-malaga","tag-mur","tag-murales","tag-paintings","tag-peintures","tag-pinturas","tag-street","tag-visit","tag-visita","tag-visiter"],"_links":{"self":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts\/3055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/comments?post=3055"}],"version-history":[{"count":5,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts\/3055\/revisions"}],"predecessor-version":[{"id":4160,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/posts\/3055\/revisions\/4160"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/media\/2209"}],"wp:attachment":[{"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/media?parent=3055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/categories?post=3055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eoiestepona.org\/web\/wp-json\/wp\/v2\/tags?post=3055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/www.eoiestepona.org\/web\/wp-content\/uploads\/2021\/04\/20210430_131610.jpg\")
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